A Border Passage (March 19, 2018)

March is Women’s History Month in many parts of the world. To help celebrate the recognition of women, I will only be featuring female authors during the month of March.

A Border Passage: from Cairo to America — A Woman’s Journey

“As she journeys across cultures, an Egyptian woman struggles to define herself. In language that vividly evokes the lush summers of Cairo and the stark beauty of the Arabian Desert, Leila Ahmed tells the story of her life. This moving memoir begins with her Egyptian childhood amid the rich tradition of Islamic women, and ends with her longing to understand and to come to terms with her own identity as a feminist living in America. Growing up in Cairo in the 1940’s and 1950’s, Ahmed witnessed some of the major transformations of this century: the end of British colonialism, the creation of Israel, the rise of Arab nationalism under Nasser, and the breakdown of Egypt’s once multireligious society. Through the turmoil, she searches to define herself–and to understand how the world defines her–as a woman, a Muslim, an Egyptian, and an Arab. She poignantly reflects upon issues of language, race, and nationality while unveiling the hidden and often misunderstood world of women’s Islam.”

(from the blurb on the back cover of Ahmed’s memoir)

About the Author

“Leila Ahmed (Arabic: لیلى احمد‎) is an Egyptian American professor of Women’s Studies and Religion at the Harvard Divinity School. Prior to coming to Harvard, she was professor of Women’s Studies and Near Eastern studies at the University of Massachusetts Amherst. She earned her undergraduate and graduate degrees from the University of Cambridge before moving to the United States to teach and write.

In her 1999 memoir A Border Passage, Ahmed describes her multicultural Cairene upbringing and her adult life as an expatriate and an immigrant in the West. She tells of how she was introduced to Islam through her grandmother during her childhood, and she came to distinguish it from “official Islam” as practiced and preached by a largely male religious elite. This realization would later form the basis of her first acclaimed book, Women and Gender in Islam (1993), a seminal work on Islamic history, Muslim feminism, and the historical role of women in Islam.”

(from Goodreads)

 

 

Books of the Week: At the Bottom of the River AND Everything I Never Told You (March 5 & 12, 2018)

March is Women’s History Month in many parts of the world. To help celebrate the recognition of women, I will only be featuring female authors during the month of March.

I was late in getting my books sorted this week, so I am featuring two books for the weeks of March 5th and March 12th. Please read on to learn more about Jamaica Kincaid and Celeste Ng.

At the Bottom of the River

“Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean–family, manners, and landscape–as distilled and transformed by Kincaid’s special style and vision.

Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things–a house, a cup, a pen. Transfiguring our human form and our surroundings–shedding skin, darkening an afternoon, painting a perfect place–these stories tell us something we didn’t know, in a way we hadn’t expected.”

(from Goodreads)

“These stories read like poetry. The visual imagery is stunning and helps to magnify her island life. I have to admit that there were some stories that were confusing; I found myself re-reading some parts. Overall, a remarkable collection of stories dealing with female relationships, especially mother/daughter ones.”

(from my own Goodreads review)

About the Author

“Jamaica Kincaid, original name Elaine Potter Richardson, (born May 25, 1949, St. John’s, Antigua), Caribbean American writer whose essays, stories, and novels are evocative, portrayals of family relationships and her native Antigua.

Kincaid settled in New York City when she left Antigua at age 16. She first worked as an au pair in Manhattan. She later won a photography scholarship in New Hampshire but returned to New York within two years. In 1973 she took the name Jamaica Kincaid (partly because she wished the anonymity for her writing), and the following year she began regularly submitting articles to The New Yorker magazine, where she became a staff writer in 1976. Kincaid’s writings for the magazine often chronicled Caribbean culture. Her essays and stories were subsequently published in other magazines as well.

In 1983 Kincaid’s first book, At the Bottom of the River, a collection of short stories and reflections, was published. Setting a pattern for her later work, it mixed lyricism and anger. Annie John (1984) and Lucy (1990) were novels but were autobiographical in nature, as were most of Kincaid’s subsequent works, with an emphasis on mother-daughter relationships. A Small Place (1988), a three-part essay, continued her depiction of Antigua and her rage at its despoliation. Kincaid’s treatment of the themes of family relationships, personhood, and the taint of colonialism reached a fierce pitch in The Autobiography of My Mother (1996) and My Brother (1997), an account of the death from AIDS of Kincaid’s younger brother Devon Drew. Her “Talk of the Town” columns for The New Yorker were collected in Talk Stories (2001), and in 2005 she published Among Flowers: A Walk in the Himalaya, an account of a plant-collecting trip she took in the foothills of the Himalayas. The novel See Now Then (2013) chronicles the late-life dissolution of a marriage by way of the jilted wife’s acerbic ruminations.”

(from Encyclopaedia Britannica)

 


Everything I Never Told You

Lydia is dead. But they don’t know this yet.

So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos.

A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.”

(from Goodreads)

About the Author

“Celeste Ng is the author of the novel Everything I Never Told You, which was a New York Times bestseller, a New York Times Notable Book of 2014, Amazon’s #1 Best Book of 2014, and named a best book of the year by over a dozen publications. Everything I Never Told You was also the winner of the Massachusetts Book Award, the Asian/Pacific American Award for Literature, the ALA’s Alex Award, and the Medici Book Club Prize, and was a finalist for numerous awards, including the Ohioana Award, the John Creasey (New Blood) Dagger Award, and the VCU Cabell First Novelist Award.

Celeste grew up in Pittsburgh, Pennsylvania, and Shaker Heights, Ohio, in a family of scientists. Celeste attended Harvard University and earned an MFA from the University of Michigan (now the Helen Zell Writers’ Program at the University of Michigan), where she won the Hopwood Award. Her fiction and essays have appeared in One Story, TriQuarterly, Bellevue Literary Review, the Kenyon Review Online, and elsewhere, and she is a recipient of the Pushcart Prize.

Currently, she lives in Cambridge, Massachusetts. Her second novel, Little Fires Everywhere, will be published by Penguin Press in fall 2017.”

(from Goodreads)

Book of the Week: Go Tell It On the Mountain (February 26, 2018)

Go Tell It On The Mountain, first published in 1953, is Baldwin’s first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy’s discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin’s rendering of his protagonist’s spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.”

(quoted from Goodreads)

 

About the Author

“James Arthur Baldwin was an American novelist, essayist, playwright, poet, and social critic.

James Baldwin offered a vital literary voice during the era of civil rights activism in the 1950s and ’60s. He was the eldest of nine children; his stepfather was a minister. At age 14, Baldwin became a preacher at the small Fireside Pentecostal Church in Harlem. In the early 1940’s, he transferred his faith from religion to literature. Critics, however, note the impassioned cadences of Black churches are still evident in his writing. Go Tell It on the Mountain, his first novel, is a partially autobiographical account of his youth. His essay collections Notes of a Native SonNobody Knows My Name, and The Fire Next Time were influential in informing a large white audience.

From 1948, Baldwin made his home primarily in the south of France, but often returned to the USA to lecture or teach. In 1957, he began spending half of each year in New York City. His novels include Giovanni’s Room, about a white American expatriate who must come to terms with his homosexuality, and Another Country, about racial and gay sexual tensions among New York intellectuals. His inclusion of gay themes resulted in a lot of savage criticism from the Black community. Eldridge Cleaver, of the Black Panthers, stated the Baldwin’s writing displayed an “agonizing, total hatred of blacks.” Baldwin’s play, Blues for Mister Charlie, was produced in 1964. Going to Meet the Man and Tell Me How Long the Train’s Been Gone provided powerful descriptions of American racism. As an openly gay man, he became increasingly outspoken in condemning discrimination against lesbian and gay people.

On November 30, 1987 Baldwin died from stomach cancer in Saint-Paul-de-Vence, France. He was buried at the Ferncliff Cemetery in Hartsdale, near New York City.”

(quoted from Goodreads)

Book of the Week: I Know Why the Caged Bird Sings (February 19, 2018)

“Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local ‘powhitetrash.’ At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (‘I met and fell in love with William Shakespeare’) will allow her to be free instead of imprisoned.

Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.”

(quoted from Goodreads)

 

About the Author

“Maya Angelou, born Marguerite Ann Johnson April 4, 1928 in St. Louis, Missouri, was an American poet, memoirist, actress and an important figure in the American Civil Rights Movement. In 2001 she was named one of the 30 most powerful women in America by Ladies Home Journal. Maya Angelou is known for her series of six autobiographies, starting with I Know Why the Caged Bird Sings, (1969) which was nominated for a National Book Award and called her magnum opus. Her volume of poetry, Just Give Me a Cool Drink of Water ‘Fore I Die (1971) was nominated for the Pulitzer Prize.”

(quoted from Goodreads)

Book of the Week: Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions (February 05, 2018)

“A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie’s letter of response.

Here are fifteen invaluable suggestions — compelling, direct, wryly funny and perceptive — for how to empower a daughter to become a strong, independent woman.

From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires, to having open conversations with her about clothes, make-up and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can ‘allow’ women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century.

It will start a new and urgently needed conversation about what it really means to be a woman today.”

(quoted from the book jacket)

About the Author

Chimamanda Ngozi Adichie is a Nigerian author. Her best known novels are Purple Hibiscus (2003)Half of a Yellow Sun (2006), and Americanah (2013).

She was born in Enugu, Nigeria, the fifth of six children to Igbo parents. She studied medicine and pharmacy at the University of Nigeria for a year and a half. At nineteen, Chimamanda left for the U.S. to study communication at Drexel University in Philadelphia for two years, then went on to pursue a degree in communication and political science at Eastern Connecticut State University. Chimamanda graduated summa cum laude from Eastern in 2001, and then completed a master’s degree in creative writing at Johns Hopkins University, Baltimore.

It was during her senior year at Eastern that she started working on her first novel, Purple Hibiscus, which was published in October 2003.

Chimamanda was a Hodder fellow at Princeton University during the 2005-2006 academic year, and earned an MA in African Studies from Yale University in 2008.”

(from Goodreads)

Book of the Week: The Handmaid’s Tale (January 29, 2018)

I read The Handmaid’s Tale when I was in high school, not too long after Margaret Atwood published it. I remember my teacher being really excited about it, how it was an honour to read a social commentary by none other than Atwood herself. And a CANADIAN!! Oh, well, my teacher’s eyes just lit up when she said that. At the time, I wasn’t really into Canadian literature, but this particular book really changed the way I saw the world and the North American political (and cultural and religious and … ) landscape. I became an immediate fan of Atwood’s.

Now that I am teaching this speculative fiction to my IB students, I feel like Atwood’s work has come full circle. Some of my students snickered when I began to draw parallels between the current political climate in America and the Republic of Gilead, but as we discussed it further, they began to see that there could — maybe, kind of, possibly, partially — be some foreshadowing in what Atwood has to say.

I am reminded of an article my friend Tricia shared with me recently. I was moaning about a Tweet I read recently and forgot to “like” (which makes it, of course, more difficult to find in the future). The Tweet in mention made connections between past fascists and the current U.S. president. She shared with me an article she found from The Guardian. It’s nearly 11 years old, but boy, does it ever apply today.

This is why literature is so important.

 

It secures the yesterday to today.

It makes assumptions, predictions, and prophecies.

It tells us stories to entertain, but also to help build resilience and resistance.

It coaches and coaxes.

It is a mirror into our past and a lens into our future.

 

Read. The Handmaid’s Tale. Now.

About the Author

Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master’s degree from Radcliffe College.

Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid’s Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood’s dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth ­ in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood’s work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian.”

(from Goodreads)

Book of the Week: The Immortal Life of Henrietta Lacks (January 22, 2018)

I read this book nearly four years ago and wrote a mini-review on Goodreads. Here it is in its entirety:

I saw Rebecca Skloot on The Daily Show months ago. Her interview with Jon intrigued me, so I added her book to my “to read” list.

I’ve always been fascinated by science. This book is a great combination of non-fiction, science, and science fiction. Skloot writes in such a way that a person without a background in science can understand the impact that Henrietta Lacks’s cells had on medical progress. She presents the family as real people, not just numbers or faces. The Lacks family has been deeply affected by the knowledge that Henrietta’s cells have been used to find cures for various diseases. Unfortunately, it wasn’t until Skloot’s book was published that they received any recognition at all.

This book reads almost like a sci-fi novel; it deals with medical research but also the ethical issues of race during the mid-20th century. It is truly fascinating what science can do. Henrietta’s name needs to live on, just as her cells have.

About the Author

Rebecca Skloot is an award winning science writer whose work has appeared in The New York Times Magazine; O, The Oprah Magazine; Discover; and many other publications. She specializes in narrative science writing and has explored a wide range of topics, including goldfish surgery, tissue ownership rights, race and medicine, food politics, and packs of wild dogs in Manhattan. She has worked as a correspondent for WNYC’s Radiolab and PBS’s Nova ScienceNOW. She and her father, Floyd Skloot, are co-editors of The Best American Science Writing 2011 . You can read a selection of Rebecca Skloot‘s magazine writing on the Articles page of this site.

The Immortal Life of Henrietta Lacks , Skloot’s debut book, took more than a decade to research and write, and instantly became a New York Times best-seller. She has been featured on numerous television shows, including CBS Sunday Morning, The Colbert Report, Fox Business News, and others, and was named One of Five Surprising Leaders of 2010 by the Washington PostThe Immortal Life was chosen as a best book of 2010 by more than 60 media outlets, including Entertainment WeeklyUSA Today, O the Oprah Magazine, Los Angeles Times, National Public Radio, People Magazine, New York Times, and U.S. News and World Report; it was named The Best Book of 2010 by Amazon.com and a Barnes and Noble Discover Great New Writers Pick. It has won numerous awards, including the Chicago Tribune Heartland Prize for Nonfiction, the Wellcome Trust Book Prize, and two Goodreads Choice Awards for Best Nonfiction Book of the Year and Best Debut Author of the year. It has received widespread critical acclaim, with reviews appearing in The New Yorker, Washington Post, Science, and many others. Dwight Garner of the New York Times said, “I put down Rebecca Skloot‘s first book, “The Immortal Life of Henrietta Lacks,” more than once. Ten times, probably. Once to poke the fire. Once to silence a pinging BlackBerry. And eight times to chase my wife and assorted visitors around the house, to tell them I was holding one of the most graceful and moving nonfiction books I’ve read in a very long time …It has brains and pacing and nerve and heart.” See the press page of this site for more reactions to the book.”

(from Goodreads)

Steve Dawson – #WF2018

Yesterday, my grade 9’s had the opportunity to attend a presentation by Steve Dawson, a Fox Sports anchor and sports biographer. I wasn’t quite sure what he would discuss during his presentation, and to be honest, I thought he would focus mostly on sports and athletes. Thankfully, I was wrong.

Dawson’s main focus was how to approach an interview with a potential interviewee. This may seem like something that our grade 9’s don’t have to worry about now (if ever), but as I thought about their future classes, I began to realise that what Dawson presented to them was actually a good life skill to learn.

Dawson had 5 main tips for approaching an interview, but the two that resonated with me the most are as follows:

– ask open-ended questions

– listen to the answer

As an English teacher, part of my job is to ensure that students are expressing themselves well, both in verbal and written form. If I ask a closed-ended question (e.g. “Did you enjoy reading The Handmaid’s Tale?”) then the answer could be either yes or no. If, however, I ask the same question but in an open-ended fashion (e.g. “In what ways did Offred make you consider the absence of women’s rights in Gilead?”) I will hopefully receive a more thoughtful response.

Of course, as our students answer our questions, it is also important for us to listen. We need to be mindful of what they say and acknowledge how it contributes to our discussion as a whole. No more thinking about our own to-do list … we must be present–mentally–when our students are responding to our questions.

Last night I was going through my Twitter feed before bed and I came across this blog post by Richard Branson. In it, he talks about how “positivity breeds positivity,” something that really resonated with me. I started thinking about how I can re-word my open-ended questions in order receive responses that are positive in nature. If a student writes an essay replete with errors, for example, I can either ask why s/he has made so many mistakes, or I can ask her/him how I can help to improve on their future essays. One will potentially garner a negative response, whereas the other will focus on a more positive outlook.

See the difference?

There is much value in our Writers’ Fortnight workshops. I hope our students see the value in them, too.

Book of the Week: Bad Feminist by Roxane Gay (January 15, 2018)

“Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.

In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman of color while also taking readers on a ride through culture of the last few years and commenting on the state of feminism today. The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.

Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.”

(from Goodreads)

About the Author

Roxane Gay’s writing has appeared in Best American Short Stories 2012, Best Sex Writing 2012, Oxford American, American Short Fiction, West Branch, Virginia Quarterly Review, NOON, The New York Times Book Review, Bookforum, The Los Angeles Times, The Nation, The Rumpus, Salon, The Wall Street Journal’s Speakeasy culture blog, and many others. She is the co-editor of PANK and essays editor for The Rumpus. She teaches writing at Eastern Illinois University. Her first book, Ayiti, is a collection of fiction and nonfiction about the Haitian diaspora experience. Her novel, An Untamed State, [was] published by Grove Atlantic and her essay collection, Bad Feminist, [was] published by Harper Perennial, both in 2014.

(From Goodreads)

Book of the Week: Guapa by Saleem Haddad (January 08, 2018)

“Set over the course of twenty-four hours, Guapa follows Rasa, a gay man living in an unnamed Arab country, as he tries to carve out a life for himself in the midst of political and social upheaval. Rasa spends his days translating for Western journalists and pining for the nights when he can sneak his lover, Taymour, into his room. One night Rasa’s grandmother — the woman who raised him — catches them in bed together. The following day Rasa is consumed by the search for his best friend Maj, a fiery activist and drag queen star of the underground bar Guapa, who has been arrested by the police.

Ashamed to go home and face his grandmother, and reeling from the potential loss of the three most important people in his life, Rasa roams the city’s slums and prisons, the lavish weddings of the country’s elite, and the bars where outcasts and intellectuals drink to a long-lost revolution. As Rasa confronts the simultaneous collapse of political hope and his closest personal relationships, he is forced to discover the roots of his alienation and try to re-emerge into a society that may never accept him.”

About the Author:

Born in Kuwait City in 1983 to a Lebanese-Palestinian father and an Iraqi-German mother, Saleem Haddad was educated in Jordan, Canada, and the UK. He has worked as an aid worker with Doctors Without Borders in Yemen, Syria, and Iraq, and currently lives in London, where he advises on inclusion of refugees, women, and young people in the transition and peace processes of the Arab Spring.

 

*Story and author blurbs are taken from the jacket of Haddad’s 2016 novel, Guapa.

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