Month: January 2018

Christina Lau is a disabled, mouth-painting artist who gives motivational and inspiring speeches to different groups of people. She suffered a spinal cord injury when she met with an accident in 2005, leaving her paralysed from neck and down. However, instead of letting this disability ruining her life, she used it to discover new aspects of her identity and explore her limits.

One of the many memorable things Lau said was that after her accident, she felt as if she was a baby and had to re-learn how to deal with her new situation and body functions. She said that she couldn’t “do basic things like holding a cup, feeding [herself],” etc. Imagine having to feel as if you don’t know how to do basic things and having to be “a burder to all of [her] family and loved ones.” However, she did explain how she found some satisfaction and joy in going through this struggle, as she got to experience the entire journey all over again.

Something that was very important and dear to Christina was her family. She mentioned multiple times that her family supported her throughout the entire process and provided emotional comfort. Whilst her family didn’t have any idea how to deal with her disability, they all did all they could and encouraged her to stay optomistic. Furthermore, she also elaborated that the accident showed her that she didn’t spend enough time with her family, so this way, she got to learn the comfort, and happiness you get from your family.

When one is faced with trauma or are put in a horrible situation, they lose confidence and can go into depression. Lau talked about how the accident did cause her to go into depression, but not for long. She explained how there is an urge to cry and whine about your circumstance, however, there is no outcome from that. She showed how she tried to become optomistic and gave great advice about being stuck in a situation you never imagined was possible. For example, something she said which stuck with me was, “If you fail, never give up, because F.A.I.L means ‘First Attempt In Learning.’ ”

Recovering from the accident, Lau couldn’t go back to her previous job as a prison guard for obvious reasons. Though this did cause her great dismay, she decided that whining about something she can’t change doesn’t do anything. Instead, she took up new activities like mouth painting and table tennis. Though she never tried to experience other things like painting as she never explored that side of her, after the accident, all of these new hobbies and options became open to her and she decided to pursue a new career.

This workshop was presented by Mukul Deva, a famous author with 16 thriller and mystery books. I felt like this session really deepened my understanding in general creative writing, and helped develop my writing mindset. I felt as if Deva took us on an engaging journey, from sand to shore to ship.

Sand: How has this session clarified what it means to think like a writer – or  in your week to week learning?

This session definitely addressed the topic of thinking like a writer directly and Deva provided very helpful tips on the process of writing a novel. Definitely, something that clarified my definition of how to think like a writer was when Deva told us to activate ALL the senses when writing. He said that we should visualise the story playing out, and thereafter, we would be able to manipulate all the emotions and the thought process of the writer. Also, he guided us through the steps of writing:

First is the science of the book:

• Plot (Thriller/romance/Mysery, etc)
• Setting (Time/period, location)
• Characters (Point of view- who’s eyes the story is being told through. Maximum 3)
•  Incidents (create tension/risk/danger/desire for the characters)

Then you dive into the art of the book:

• Research (Need to know everything in order to make the book realistic)
• Validate (to ensure correct facts are used, logically makes sense)
• Writing the story
• Editing

This is the fundamental process of writing any book, and the thought process of a writer.

Shoreline: How did this session change or deepen your thinking, whether about the speaker or the story you expected to find?

There is an assumption that behind every bestselling author, there is a valuable story to be told. However, Mukul Deva cleared all misconceptions by providing a simple answer to a simple question. Before going into the interactive workshop, I had researched about Deva and found that multiple of his books had been adapted into Bollywood movies. Being a keen viewer of Bollywood movies, I found this to be a very interesting concept to develop and expand my thinking on. So, when I asked him a simple question- How does it feel to have your books in the movie industry?- I expected him to be proud, and give a very thoughtful answer about how he feels honoured they chose his book, however, his answer changed my thinking about his story. He said, “Well, the movies pay me, so I don’t really care much about the end result.” He then elaborated that he doesn’t particularly like the movies adapted from his book as he spent a long time and effort writing the book, but in a movie, it’s everything under 1 hour 40 minutes. Another thing that changed my thinking about his story was the idea that when writing books, he doesn’t empathise with his readers. He writes what he enjoys and doesn’t care about the feelings about the readers. I found this shocking as I thought this was necessary in order to sell his book and maintain an audience, but I can see the appeal in writing something he believes in rather than what his readers would want.

Ship: What do you think might stay with you from the session? Why?

I always thought that it is required to have your life planned out- have certain goals and challenges planned for yourself. However, Deva showed through his journey that it isn’t necessary to stick to the plan. He’s changed his career and done what made him happy. For example, he went from serving in the army, to setting up multiple corporate companies around the world, and then writing bestselling novels. Therefore, something that is definitely going to stay with me is this one simple thing Deva said:

“Best way to learn how to do something is to just do it.” 

Danny Raven Tan is an admirable and extremely courageous man who has faced difficult, dark times, however, has managed to rise with resilience and has remained optimistic throughout his difficult journey. 5 questions I had which I didn’t quite manage to get the response to were:

1. What motivated you to create art after suffering a traumatic experience? 

Whilst Danny mentioned how his friends motivated him to utilise his life in an effective manner, and how they helped him recover from depression. However, I wasn’t able to understand completely why he decided to pursue a completely new career, and whether the timing of his disease affected his decision.

2. Who was .your largest inspiration/supporter when he decided to pursue a new career? 

I’d like to find out more of his personal life details in order to write a successful feature article. I’m wondering who supported him when he made a colossal decision like this.

3. How does selling your work in a HDB differentiate you from selling your work in a large gallery?

Tan explained how he was facing financial difficulties, and wanted to be closer to his mother who was suffering from dementia, so he decided to showcase his gallery in his apartment. However, by doing this, how would he compete with other artists who have more experience and financial support? I was wondering why people would choose to come to an HDB when they could go to a large, beautiful gallery.

4. Do you live a comfortable life as an artist? 

Though Tan explained his financial problems, asking someone a question regarding their salary is extremely rude, and therefore, I wasn’t able to ask this question, however, I do want to know if he is able to live a comfortable life given the current circumstances and the large expenditure on his healthcare bills, his mother’s dementia, and creating the art gallery in the first place.

5. Do you find SG to be supportive of the artistic community? 

Although, artists are widely appreciated in many nations, I’m unsure whether in Singapore, locals support artistic careers. I think this topic is great for an op-ed article as it is controversial, and I’d love to find out more information on this topic.

Marc Nair wrote about stories from all across the world. A large part of his identity arises from different location around the world because he comes from multiple places. He is quarter Chinese, Indian and has studied Malay. Furthermore, he collaborates with other artists from across the world, for example, Nicole Anthony.

Humour often engages audience members to participate in the conversation, and Marc Nair definitely used humour to communicate important ideas in his poetry. He had a sense of dark humour where he manipulated sarcasm and used an almost mocking voice to make people aware of the issue. For example, in a commercial type of poem called Pan-Asian, he made comments like, “fully organic and ethical.” Essentially, instead of being outright and typical about such topics, he wrote about unfortunate topics in a positive manner, which brought people’s attention and empathy.

One of the perspectives I thought was hinted was the idea of what parents would like their children to be. Often, stereotypical parents wish for their child to study, and get a stable and boring job, whereas, I thought Nair tried to communicate how the artistic community wasn’t appreciated enough. In fact, he said that “identity is a construct, and we have a notion of how people are supposed to look.” Being unique shouldn’t be undervalued and should be given the same amount of respect as someone who follows the stereotypical idea of a Singaporean.

Nair started writing in 2000, and began taking photos in 2007 as he realised that often a photo helps people visualise the situation better. People always look at a bigger picture, however, stories are all around us, and we can forget to focus on those. Nair said, he “looks for a small observed image, from where [he] brings out a story.” A picture can represent multiple things, and has the potential to communicate much more than words can.

Steve Dawson: 

Have you ever wondered how it would feel like to meet your idol? What would you say to them? Rule number one of reporting is to find an angle which hasn’t been discovered before, and how to build a successful story on that story angle. Steve Dawson, former reporter at ESPN star sports, straights-times general news reporter, and currently a reporter at Fox News Sports offered 5 groundbreaking tips for a reporter. Some of us have been in a situation where we have got the chance to interview people with interesting stories to be told, however, a common question is what questions do we ask! Asking common knowledge questions will never provide the full, interesting answer you are looking for, always try to look to ask questions that make the speaker think and provide a story no one else may have heard. Here are the 5 tips he offered in order to be a successful reporter!

1. Ask open-ended questions: When you ask questions that only have a yes/no answer, often, you won’t get the information you are hoping to receive. For example, instead of asking, “Do you like racing?” Ask something like, “What inspired you to begin racing?”
2. Set the answer free: To me, this seemed to be the most useful, as I tend to ask specific, directed questions where there is only one answer which I want, however, this tip was very helpful in understanding the importance of letting the speaker offer a longer, more personal answer as we get more information. So, instead of setting regulations and parameters, let the answer free. Instead of “Are you concerned you haven’t made any profit?” Ask questions like “How do you feel that you haven’t made any profit?” Some of the most cliche answers are the best ones.
3. Don’t interrupt: This is given, but extremely important in terms of making sure you don’t stop their chain of thoughts.
4. Be a single shooter: Don’t ask too many questions in one question, instead ask one specific, directed question, which could answer both questions or offer a lot of information on one of them. If you ask two questions, it is likely the speaker will forget one of them.
5. Listen to the answer: Even if you are recording the conversation, make sure you are listening as you never know when you can expand on certain ideas and perhaps, find a deeper, more interesting story.

Overall this workshop was helpful in assisting to learn about reporting and it elaborated my ideas on journalism. These tips can be applied to various subjects, and are especially useful.