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In what ways is the control of women’s bodies reflective of the totalitarian control of the regime in Gilead?

Women’s bodies are used as political instruments because Gilead was formed in response to the crisis caused by dramatically decreased birthrates, the state’s entire structure, with its religious trappings and rigid political hierarchy, is built around a single goal: control of reproduction. The state tackles the problem head-on by assuming complete control of women’s bodies through their political subjugation.

“I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will . . . Now the flesh arranges itself differently. I’m a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping.”

This passage is from Chapter 13, when Offred sits in the bath, naked, and contrasts the way she used to think about her body to the way she thinks about it now. Before, her body was an instrument, an extension of her self; now, her self no longer matters, and her body is only important because of its “central object,” her womb, which can bear a child. Offred’s musings show that she has internalized Gilead’s attitude toward women, which treats them not as individuals but as objects important only for the children that they can bear. Women’s wombs are a “national resource,” the state insists, using language that dehumanizes women and reduces them to, as Offred puts it, “a cloud, congealed around a central object, which is hard and more real than I am.” Women cannot vote, hold property or jobs, read, or do anything else that might allow them to become subversive or independent and thereby undermine their husbands or the state. Despite all of Gilead’s pro-women rhetoric, such subjugation creates a society in which women are treated as subhuman. They are reduced to their fertility, treated as nothing more than a set of ovaries and a womb. In one of the novel’s key scenes, Offred lies in the bath and reflects that, before Gilead, she considered her body an instrument of her desires; now, she is just a mound of flesh surrounding a womb that must be filled in order to make her useful. Gilead seeks to deprive women of their individuality in order to make them docile carriers of the next generation.