Interconnectedness of Concepts between texts

PLAN: LINK

Every text is trying to convey some message or some story, and hence is representing the lives of a particular group of people. We have recently been looking at texts and how they represent various cultures and time periods in the way that they depict certain groups of people. One thing Mr. Watson brought up today that really conflicted me, was whether authors have a responsibility in how they represent people, and if so, to what extent? I do believe that literature is an art, it is subjective, used to convey meaning and can spark emotional connections, so in that sense, I believe an author is entitled to tell whatever story they please. However, I also can relate to seeing yourself being inaccurately and even offensively represented in texts, and who else to blame but the author in that case? I believe that authors should always be ready to adhere to criticism of how they portray characters, especially those with which they do not fully relate (e.g. a Western author writing about Asians). However I believe that readers must also recognise that for the sake of a story line or message, that some cultural or personal details may be sacrificed to keep the focus on the plot. 

In relation to what was earlier mentioned about how people are represented, which looks at the author’s actions, I believe that identifying with texts is just as crucial, which is more pertinent to the reader. I believe that (especially now) in a time where society places so much value on understanding your values, priorities, sexuality and history, it is very important that people of all ages can identify with various platforms around them. First and foremost, I believe identification allows us to be proud of what makes us different while also living in the comfort that we are not alone, and we identify with other societal groups. Not too long back, I read a book called ‘All the Bright Places’, which looks into the lives of two high school kids who try to find their own truths while dealing with all the realities of peers and school. I was able to identify so closely with the main character’s love interest, and even the general plot. The book was a catalyst for me to reflect upon my experience as a high school kid, and what I wanted my truth to be. Being able to identify with the book made me realise that what I struggle with, is what many people struggle with on a day to day basis, and it is not something that makes or breaks me as a person. Many people look at teenagers and their growth as a “phase” and I believe the book did a good job of focusing on a particular circumstance depicting how it is far more personal than that.

While acknowledging that stories always have a personal aspect to them, we could also question whether in literature, some topics tend to create a pattern around them. An example would be the rise of many texts that highlighted the struggles of African American’s. I believe this niche genre of stories followed quite a similar pattern of looking at a particular social injustice, developing a key black character around it while enhancing the racial prejudice through accompanying white characters. ‘To Kill a Mockingbird’ and ‘The Help’ are both books that I believe fall well into this pattern. ‘To Kill a Mockingbird’ looks at the social injustice of the judicial system while ‘The Help focused more upon the societal discrimination that occured. In this case, I see the pattern to be of positive significance. As more books (regarding African American’s) followed the trend of discussing racism, it became an issue that people discussed and criticised, aiding the development of equality. Patterns can allow for a powerful idea to be reinforced, and in some cases to the point where it leads to important societal change. On the other side of things, if patterns became too exaggerated, cliche or inaccurate, they can be the start of stereotypes that do not reflect a group properly. 

As discussed earlier, literature can change how people behave and even transform society as a whole. I see the connection between this subject, to another subject of mine, Environmental Systems and Societies. We have recently been studying how the environmental movement in the 1960s began to take off, and what moments were of help. It was quite interesting to see that texts such as Rachel Carson’s ‘Silent Spring’ and John Lovelock’s ‘Gaia hypothesis’, where very much at the heart of the movement. The book ‘Silent Spring’ was about how pesticides were harming the wildlife, which ultimately lead to the death of birds, resulting in the springtime being a silent one. This book transformed the way that people looked at pesticides and their role in the environment, which lead the government to investigate into the harmful chemicals used. When the results came back, and what the book described was confirmed, the government took several steps to try and address the issue. John Lovelock’s hypothesis was the foundations for how we see ourselves as one with nature, rather than as separate entities. The detail to which he expressed our dependence on the environment triggered a lot of changes. It brings to light how important it is that all types of issues, even environmental, are represented in texts as it can be transformative of our day to day lives. 

As audiences to various forms of media, we are given the chance to interpret texts as we feel. A lot of the beauty of literature comes from the fact that we can all read the same thing, and draw so many different meanings from it. Perspective can help use explore our differences, enhancing the beauty and diversity of people coming from all walks of life. A difference in perspective could also lead to texts becoming controversial, with different stakeholders responding differently. George Orwell’s ‘1984’ was a book that dealt with this particular, known as one of the most controversial books of all time. The book looked at the role of a “Big Brother” who pushed people into a routine, brainwashed them and punished them for not cooperating, which many people saw as a commentary of certain governments. Some people viewed the book as an important moment for common people to recognise their right to creativity and self thought, while authors saw it as an attempt to wreak havoc and an invalidation of authority.

While exploring several texts and the stories they put forwards, we see a huge underlying network of connected themes and concepts. This allows us to draw inspiration, knowledge and even experiences to things we have encountered before, leading to a more holistic understanding of the role it plays in our lives and society today.

Self Reads – We need to talk about Kevin

1/9/2019 – Pages 1 to 57

My first impressions of this book are quite great. I very much like Lionel Shriver’s writing style. He is quite descriptive not of objects or people but of actions and emotions. His descriptions are usually similes which link two completely opposite things and gives me a new perspective to look at the situation from. The pace of the book as well is perfect for me. Shriver stretches a few of the more meaningful part, giving me adequate time to meet each character and understand the situation, while also moving steadily past anything that is not of significance so I don’t get bored.

The book is actually a series of letters written from Eva to Franklin, and although some of them are about Kevin, a lot of them are actually about their history. There is a lot of insight into Eva’s life before Franklin as well. She describes how she always thought she would end up with someone quite quirky, maybe a vegan, a specialist in an odd field. But how in reality she found herself in love with a patriotic American who refused to drive anything besides a pickup truck. I think this unexpected turn of events set the scene for Eva’s character, someone who tries to plan and see her future but ends up with the opposite, quite like the situation with Kevin.

Only in one letter till now has an interaction between her and Kevin been explored, and it was at prison. This scene was quite heavy for me, we got to see her strength slowly slip. When she first started visiting him she tried to be like all moms, asking about the food and his friends. But over time she adapts herself to be more like him, think more like him, as if the only way to keep the relationship with her son is to start a whole new one. When she was leaving, Kevin said he hated her, and she responded but with the same. That scene hit me quite hard because I could never imagine the amount of emotional suffering a child must put their mother to in order for her to reach the point where she no longer loves them.

The struggle between trying to keep her life as normal but also as different as possible, I believe, is starting to take a toll on Eva. She tries to keep a job and do her groceries like everybody else, but isolates and punishes herself at the same time. I think that her need for a fresh start alongside something comfortable, might be what triggered her to write to Franklin in the first place. The balance between starting again and keeping normalcy is going to be an ongoing theme throughout the book.

Red Leap (30/8/2019)

Today was our last day with red leap and it was quite an interesting session. The first thing that stood out to me the most was how we depicted images of emotions. We tried focusing on the feeling rather than the look, and creating a picture from that. I was able to develop my physicality and explore different aspects of a particular feeling or situation. I explored the emotions connected tow waiting, whether that was excitement of meeting someone, anxiety of bad news or just irritation that someone is late.

We also looked at a lot of sensory devices today. We had to create a piece pertaining to a stimulus, but only with sound. We had the audience close their eyes. We started by creating a rhythm with our feet which we set as the normal, we used whispers to give a sense of discomfort while also having someone yell to bring in some contrast and depict an internal chaos.

I also loved the last activity we did, in which we had created an image, had the audience open their eyes for a few seconds and then close them again to create another image. We had one of me leaning over a person and holding a frame, while Lucas held my feet up to show someone trying to take you away from your place of attachment.

Red Leap Theatre (28/8/2019)

Today we worked on ensemble awareness and how we relate to each other and the space. We did some weight-bearing exercises and created a sequence with them. I had to learn to trust people and allow myself to focus on the creative devising process. It was a new skill for me to develop because although I was working with others and keeping aware of them, I also had to make sure that I was completing my own character.

I also love how we incorporated imagery into everything we did. I definitely think that in the future I will use more physicality in my pieces to try and ensure variation. Through the movements we learnt we tried to utilise all we had (emotions and body) to express some kind of story or convey some kind of message.

 

Red Leap Theatre (27/8/2019)

Today we had artists in residence from red leap theatre join our class. It was quite an interesting experience as we explored the role of group work, spatial and self awareness, textuality of scenes and even how to choreograph sequences. The energy of the lesson was always captivating and I was engaged throughout.

  • Retrospective: Think back on some key learning? Why might have been important to you?
    • When I look back upon the work I did, what strikes me the most is how quickly we dived into things. My biggest issue is that sometimes I like to stand around and flesh out idea, when in reality I would get a much better understanding if I just got up and started working. With our limited time we were forced to keep moving and developing.
    • Another key point of learning would be recognising my role. We played a game where you made a decision to pause or keep moving, your role in the group was up to you. I think this taught me a valuable lesson about choosing my actions on stage and even in the devising process. Whether it is your turn to take control of a situation, or your turn to sit out and let someone else discuss.
  • Intentional:List 2 or 3 things you intend to do with the skills or knowledge required today
    • I definitely think I am going to use the walk about activity to get a good sense of my character. Whichever pace feels most natural can give you a great sense of your character’s emotions. Are they sad so they walk slow? Are they scared so they sprint?
    • I also think I am going to incorporate physicality more into my pieces. Sometimes there is a misconception that all the best pieces are dialogue heavy and full of theatrical symbols, but actually sometimes facial expressions and movements tell the best story.
  • Evaluative: What worked well? What was challenging? How did you solve the problem?
    • Something that worked well was everyone’s attitude to try new things. The activities we did today were familiar to some and not to others, but everyone pushed themselves to perform to the best of their abilities.
    • Something that was challenging was actually to synchronise everyone’s movements. I know with time it would’ve been better, but it shows us that our characters are always part of something bigger, and it is those links and connections we have to build.
  • Action: List things to remember for the future or things to do next as a performer
    • Give 100% to any role you play. With theatre sometimes we are pushed to do things that make us uncomfortable, and so we don’t give our full energy so as to not look silly. I learnt today that if you morph into the role you are playing and do the best of your abilities, that the audience will be more interested in the performance and won’t realise that you are nervous.

 

First Dance Rehearsal

Learning Outcomes: LO5-Demonstrate the skills and recognise the benefits of working collaboratively // LO2- Demonstrate that challenges have been undertaken, developing new skills in the process

On the 17th of August, I had my first rehearsal for a Diwali Function my condominium has. I live an in area that is majority Indians, and this means that every year for Diwali we have a get together amongst the residents to celebrate Diwali. For this occasions many groups come together to put on a song and a dance. I am in a group of 8 people in total, and we decided to come together and dance. We had our first rehearsal which was quite interesting.

We are rehearsing once a week for an hour for about 7 weeks. I would like to achieve my learning outcomes by diving in and giving 100% regardless of is I feel nervous or not. I would also like to develop new skills by sticking with the dances and trying to practice a little outside of class to make the steps and skills a little more natural to me.

We have a dance teacher who comes in and teaches us the choreography. It is quite an interesting experience because we have a range of skill in the room. I am a classically trained Indian dancer (in a style called Bharathnatyam), and one of my friends participating does not even want to be there! For this reason, we all have to work collaboratively to support each other and make sure that everyone feels safe and comfortable. I have seen the benefits of working together as my friend is already becoming more engaged and through helping her I found myself invested in the dance also.

The dance style we are doing is known as Bhangra, which is common in North India and is very fast paced and flows. The dance style I learned, is a traditional style, meaning it is far more slow and precise in terms of movement and portrayal. Bhangra is a form of enjoyment where as Bharathnatyam is a means to convey story. I have undertaken a challenge of trying to flow with the music and be less conscious about my steps, because it is only by that method that I will truly enjoy myself. I have always been quite rigid with how I perform, focusing too much on the movements and others. This time, I am pushing myself to become connected with the music and stage, and focus on the energy rather than the mistakes.

Below is a short clip from our rehearsal ( I am second from the left, in black shorts):

 

My Reading

Throughout my life I think my reading has changed quite a lot. Personally I think that it has been most dependent upon what I can relate to at that particular stage of my life. When I was a kid I loved fantasy because it was quite connected to my vast imagination and the make-belief games I’d play. When I was about 12-13 I really enjoyed realistic fiction because it was quite relatable to see kids my age deal with the same problems but in an entertaining context. As of right now I love life stories and non fiction book because I think as a I become an adult I am more aware of my life and the world I live in so being aware of the issues and the changes it quite important.

My attitude to reading has also changed depending on my schedule and the workload I have. I always notice however that I am very grateful for the time I get to read and spend some time being engaged in somebody else’s life other than my own. I think reading can create a sense of empathy whether it be to a character, a moment or a situation. It teaches us to take ourselves out of the picture and focus on something else (with which our busy lives is something we rarely get to do). I am also quite fond of theatre as well so the concept of stepping in somebody else’s shoes it not a new one to me and I tend to find it very interesting.

My goal for reading is to become more patient. This is something I struggle with in all realms of my life, academically, socially and even personally. I find myself quitting on books if they don’t engage me right away or if the character is not as complex as I thought, however I want to change that habit and push myself to keep reading and make my judgements later. In our social lives I also feel that humans are very quick to jump to conclusions and make assumptions about our capabilities and other people, which is another aspect of my life I can change if I develop patience.

A book I read that really changed my life was ‘Alice in Wonderland: Through the looking glass’. It is actually my favourite book ever written. The book in itself in terms of plot and characters is genuinely insane, Lewis Caroll spared no room for anything more crazy than a story like that. I think my biggest takeaway from that book is that your life is whatever you choose to make it. Alice throughout the book is discouraged and unsupported by even her own mother in her pursuit of her own truth, but none the less she goes to a place where people believe in her.

This book has impacted me because it has made me curious as to my own truths, what I want to accomplish with my life. It has also reminded me that along the way there will always be people who try and hold you back, sometimes, unfortunately, it is the people whom you love most. The story urges us to find a place where we are loved and appreciated for who we choose to be, an idea that has taken stand in the 21st century with the rise of self identification and expression. Specifically to me, this book makes me think about my big picture. I would like to pursue law in the future, and I am trying to develop a sense of where I fit best and where I will be guided best to make the change in the world that I want to see.

My goals and aims for this course

As of this week, I have started my language and literature course in IB. Already through the activities in class and the information I have leant about my peers, I realise that people use so many different terms and words to define, explain and express themselves. I have also seen the way others interpret this information and what assumptions this has lead them to about the person. For example, my teacher mentioned he loved mountains and I have inferred that he is probably and outdoors-type person who enjoys nature.

I think this course is well suited towards me because I thoroughly enjoy the subjective and inquisitive nature of literature, trying to see the many ways in which we can analyse a writer’s work. I am also looking forward to the more application side of the language course as we try and explore the numerous ways in which people use their different forms of language to communicate different things.

My goals for this course are:

  1. To gain a better understanding of the framework of my generation. I believe that by studying language and literature, I can see the portrayal of characters and situations which depict or contrast modern day values, giving me a better sense of who I am in regards to the time I am living in.
  2. To deepen my appreciation of literature by exploring more. I think that reading several literary texts and analysing them, I will gain a better appreciation for all the finer details the author chose to include. I have noticed that when I understand a classic book, I am less intimidated to engage in the themes and question the book, which helps progress my learning.

I had a very memorable experience last year in my GCSE English class which lead me to believe this course is right for me. I have never been a huge fan of classic books, but we studied “To Kill a Mockingbird” in my class. I realised that my skills from the language aspects of the course has allowed me to better understand Atticus’ position as a lawyer while the literary knowledge I had allowed me to flesh our characters and themes of the book. The combining of my language and literary knowledge allowed me to learn so much that I ended up loving the book (even though it is a classic)! I’m hoping that this course can also help me produce more moments where I can see the maturity and transformation of my English skills.